Philip's is a light-hearted film you can enjoy with your family and safely recommend to your friends, endorses Divya Nair.
Watching Haddi after a meal is not advised since some scenes could induce nausea, warns Deepa Gahlot.
Among the many reasons to watch Murder In Mahim is that it may be a chance to wipe out -- if it is achievable by a Web series -- the air of judgment towards those who do not conform to the majority's idea of normal, asserts Deepa Gahlot.
Many films and shows go back in time to bring alive so many fading and forgotten memories.
Jennifer Aniston returns to her news anchor duties, Akshay Kumar saves the day and 456 South Koreans fight to the finish in a bloody game of survival. Sukanya Verma suggests everything you can catch on OTT this week.
I binged on various shows this year -- some for work, some for pleasure, few I couldn't spare time for, others I didn't have access to while some started out fabulously only to fizzle towards the end.
Much better films about the explosive -- if often misdirected -- energy of the young have been made before than Dange, points out Deepa Gahlot.
Yaariyan 2 evokes a tinge of nostalgia for the time when music (and lip sync songs) used to be the mainstay of a commercial film, notes Deepa Gahlot.
It is unfair that actors like Jyotika and Parthiban are wasted in what could have been a spectacular courtroom drama, complains Divya Nair.
At the end of eight episodes, the climax is bound to leave you with questions but it would be fair to say that the two-episode backstory and the characters seemed far more interesting than the six-episode drama and tension that led to it, observes Divya Nair.
Kajol's mere presence has the potential to overshadow her co-stars, but surprisingly, we get to see her modest camaraderie light up the talents of the stunning supporting cast, observes Divya Nair.
Aarya Aakhri Vaar should have been slicker and more polished than the first, or at least ended with a louder bang, observes Deepa Gahlot.
Sukanya Verma looks at their eclectic career of over two decades as their latest offering Citadel: Honey Bunny, the Indian leg of the Russo Brothers globetrotting spy universe series, drops on Amazon Prime Video on November 7.
Yaatris works neither as a comedy nor as a family drama.
The harum-scarum-ness of Kaala is astounding, exclaims Deepa Gahlot.
Plenty happens over the show -- riots, nefarious schemes, betrayal and multiple murders -- which should have made for a riveting watch but everything evokes déjà vu and worse, sighs Deepa Gahlot.
Heeramandi, a passion project that took off after years in development and planning, mirrors Sanjay Leela Bhansali's film-making's finest and frustrating features, observes Sukanya Verma.
There is an authenticity and sense of purpose about Dry Day which is appealing, observes Deepa Gahlot.
The Competition Commission of India (CCI) on Monday imposed a penalty of Rs 213.14 crore on social media major Meta for unfair business ways with respect to WhatsApp privacy policy update done in 2021. Besides, the competition watchdog has directed Meta to cease and desist from anti-competitive practices.
'They have to be good looking, they have to smile pretty, look pretty, sit pretty...' 'Being other characters allows for a greater mining and excavation of the human condition rather than just trying to play a prototype really well.'
"One stat stands out: 375,000 people coming through the gates in that Melbourne Test match, beating the record set 90 years ago of 350,000," Shastri said.
By the time, Mumbaikar gets to where it wants to be via a twisty third act, we begin to see how much better the film could have been. But it's almost too little, too late, complains Mayur Sanap.
The Village starts off pretty well, but it required something more convincing than a bunch of creepy Gollum-like monsters to deliver the impact it should, observes Divya Nair.
Hush Hush starts on a mysterious note that sustains our curiosity for the first few episodes. Then it veers off in different directions aimlessly, notes Divya Nair.
ITo steer clear of sanctimonious newspaper stories all your life, and then be saddled with movies like Kadak Singh -- now there's a rotten bit of luck worth moaning about, sighs Sreehari Nair.
With its slick cinematography and breathless pace, Bloody Daddy is not really made for OTT, but that's where it ends up, notes Deepa Gahlot.
Bhool Bhulaiyaa 3 is going full throttle with its creeps and cackle, which marks the addition of Madhuri Dixit and re-entry of the OG Manjulika, Vidya Balan.
The film has emerged as an instant success.
The Vaccine War leans towards stoking nationalistic fervour, but that shouldn't stop you from watching a film that is solemn about the Indian scientific community's achievement, notes Mayur Sanap.
'OTT is the present of the entertainment industry and it can be the future as well.'
'Hopefully, in 10 years, I will cross over.' 'I'll be doing Hindi stuff, but hopefully, global projects too.'
Blood sucking locusts on the loose, a honeymoon gone awry, a disenchanted school teacher and a singing tropical rainforest mammal, Sukanya Verma lets you take your pick from the OTT spread this week.
The Yami Gautam-Sunny Kaushal thriller has enough twists and turns to keep you engrossed, observes Namrata Thakker.
After making you uncomfortable, the series ends abruptly, leaving you with a bitter aftertaste of a self-absorbed world that is too eager to move on, notes Divya Nair.
Yeh Meri Family is rescued by the actors. All of them have delivered on the warmth and crankiness of a close-knit family without putting on any hum saath saath hain fakery, observes Deepa Gahlot.
It is possible that today's kids would find Gutar Gu too vanilla but it might have greater nostalgia-inducing appeal for older viewers, observes Deepa Gahlot.
Kathal has a fairly kooky premise, one that would fill up a half an hour sitcom in a bundle of studio laughs. But when stretched into a feature film, its whimsy slumps into awkward energy, observes Sukanya Verma.
Affluence without conscience, haunted homes and heads, a big fat Punjabi wedding and more on OTT this week. Here are Sukanya Verma's 10 recommendations.
Bambai Meri Jaan features horrific massacres and violence so brutal that it ought not to be seen on a home entertainment platform, warns Deepa Gahlot..
